school 6
The equation between wealth
(and its display) and power is easily made, and requires no elaboration. But there is a more sub-
tle connection as well. Truphi is the inverse of
s6phrosund. Alexander the Great was famous
136 Diod. 33.28b.1-3
(Walton
translation 1967). Cf.
Athen. 549e; Justin 38.8.
137 Plut. Mor 200f-201a (Babbitt
translation 1931).
138 Heinen
(1978, 1983); Gehrke
(1994).
139
Truphe as a deliberate tool of Ptolemaic propa-
ganda was first discussed by Tondriau
(1948c).
140 Heinen
(1983). On Ptolemaic
truphe,
see also
Preaux
(1965); Marasco
(1979/80) (on Ptolemy IV);
Cozzoli
(1980); Nenci
(1983); Samuel
(1993) 184
(who
connects to this motif the vast military
forces of Ptolemy
II (Athen. 203c-d)); Weber
(1997) 35; Thompson
(2000a); H61bl
(2001) 92, 133, 188, 196; HuB
(2001)
469, 675; Chamoux
(2003) 245-6.
141 The pompd of Ptolemy II: Athen. 196a-203b
(quoting Kallixeinos); cf Philo, Mos. 2.29-33. The
ship(s) of Ptolemy
IV: Plut. Demetr. 43; Athen. 203e-
206c. Kleopatra's barge at Tarsos: Plut. Ant. 26. See
Tondriau
(1948c); Heinen
(1983). Gates
(2005) 153
points out that this
'repertory of cultural
flamboyance
accords well with the shock value of royal incest, though
she does not
identify
the Ptolemies among
the cultures
practising
these 'theater state tactics'.
142
Thompson (1973); Heinen
(1978).
143 See above, pp. 13-14 and n.71. 24 SHEILA L. AGER
for his
s6phrosund,
at least in some respects, and his mastery of his own sexual passions was
indicative of the ultimate power, power over oneself. Yet others - such as the Ptolemies - might
adopt a different stance.
S6phrosund
implies restraint; truphe results from the lack of all
restraint, whether
internally generated or externally imposed.
If no checks or restraints bind one,
then one is omnipotent: no
superior power
is capable of coercion, and excessive
indulgence
in
things
forbidden drives home to all witnesses the absolute quality of one's power.
It is in this
context that we should see Ptolemaic incest: in the context of a freedom which
springs
from
power and which gives rise to power's expression both in luxurious display and uninhibited sex-
uality. Indeed,
incest - the most unhallowed of sexual delights
- is almost demanded by a phi-
losophy determined to exploit and exhibit a power
that breaches all limits and recognizes no
authority beyond
itself. It was Ptolemy II who set the
stage
for dynastic magnificence and
display, just as it was Ptolemy II who
inaugurated
the custom of
sibling marriage. The
typically
Ptolemaic cornucopia may be read as a visual
symbol of both royal truphe and royal
incest.
Again,
it was Ptolemy II who introduced the hom of plenty as an
iconographic attribute of his
sister-wife; and the double cornucopia associated with Arsinoe may well have been meant to
evoke the pairing of the two Philadelphoi.144
Truphi and incest also find common ground
in the gods of the Ptolemies. Linked to
Ptolemaic dedication to the good
life is the worship of Dionysos, who is also Lusios, the deliv-
erer, the releaser from restraint and inhibition. As early as the reign of Ptolemy I, we can trace
a
special relationship between the Ptolemies and this god.145 The great procession of Ptolemy II
placed Dionysos
front and centre, and emphasized
the luxuriance of nature and
indulgence
in the
good things of life.146 Ptolemy III,
in his great boast of eastern conquest, claimed descent from
Dionysos and explicitly evoked the god
in his Asian campaigns.147 Ptolemy
IV elevated the wor-
ship of Dionysos
to new heights, and was the first Ptolemy
to emulate the god
in a
lifestyle of
abandonment and excess;
it is perhaps no coincidence that the stem Polybios also condemned
him as the first Ptolemy
to set the empire on the course to ruin
(5.34).
It was not until the twelfth
Ptolemy
that the king actually
identified himself with the god
- Auletes proclaimed himself Neos
Dionysos
- but as far back as Ptolemy
I we find the king portrayed visually as Dionysos, and all
the Ptolemies associated themselves with him to some degree.148 Rather than associating either
of her feckless brother-husbands with Dionysos, Kleopatra VII chose a much more qualified
individual for the role: Mark Antony. Upon
their grandly stage-managed meeting at Tarsos,
'the
144 See Heinen
(1978); Thompson (1973) 33.
Ptolemy II's introduction of the cornucopia: Athen. 497b-
c. Cf also the pairing of Ptolemy II and Arsino II on
their famous
jugate-portrait coinage (Morkholm
(1991)
103-4, cat. 297-8). Brenk
(1992) 164 sees the dikeras as
symbolizing
Isis and Serapis/Osiris.
145 Tondriau
(1950); Cerfaux and Tondriau
(1957)
215.
146 Athen. 197e-201e. See Fraser 1
(1972) 194, 202-
7; Dunand
(1981); Rice
(1983) 45-115; Walbank
(1996);
Thompson (2000b). On Dionysos and his link with
Ptolemaic
truphi
in general,
see also Tondriau
(1946,
1948c, 1950, 1952); Cerfaux and Tondriau
(1957) 192-3,
206, 207; Heinen
(1978, 1983); Dunand
(1986); Hauben
(1989); van Nuffelen
(1998/9).
147 OGI 54
(the Adoulis
inscription).
148 Portrait of Ptolemy
I as Dionysos: Heinen
(1978).
On association of individual Ptolemies with Dionysos,
see Tondriau
(1948a); (1952) 457-61. For other icono-
graphic associations with Dionysos
in Ptolemaic portrai-
ture, see Lunsingh Scheurleer
(1978); Heinen
(1978);
Queyrel (1984, 1985); Sullivan
(1990) 230. The
long
robe wom by Ptolemy VIII, which Athenaios terms a chi-
toniskos
(549e, cited above), was probably a deliberate
affectation of Dionysiac dress
(Heinen (1978, 1983)), or
perhaps even an approximation of Pharaonic dress
(Bevan (1968 [1927]) 308 n.1). Whitehorne
(1994) 108
and Ogden (1999) 98 make much ofAthenaios' use of the
diminutive term, and argue
that for a 'little tunic' to reach
the ground, Ptolemy VIII must have been short 'to the
point of dwarfism'
(Whitehorne).
It is true that Justin
says Ptolemy VIII was short, but given
that Ptolemy's
official garb must always have been selected with a view
to the message
the king wanted to send,
it is
impossible
that he would have tolerated a garment
that did not fit. It
seems more
likely
that the term,
if it was really used by
Athenaios' Stoic source, might have been used in a
derisory
fashion
('the king's
little
frock'). The chiton-
iskos remark is very flimsy testimony
to take as evidence
of an
inbreeding depression
that
imposed dwarfish stature
on Ptolemy VIII
(especially when we consider that he was
not as inbred as some members of the
family). INCEST AND THE PTOLEMAIC DYNASTY 25
word went out to all that Aphrodite was making merry with Dionysos
for the good of Asia'.149
With the return to Alexandria, Kleopatra and Antony pursued
the Dionysiac lifestyle with
intensity and abandon, cultivating a group of associates-in-indulgence known as the
Amimetobioi, the 'Inimitable Livers'.so50
Dionysos of course is Egyptian Osiris, and Ptolemaic queens, as we saw above, were associ-
ated habitually with Isis as well as with Aphrodite.151
In an Egyptian context, then, the god of
truph^
is a god of incest. If Dionysos
is the divine poster-child
for
luxury, bounty and magnifi-
cence, his Egyptian avatar Osiris is the embodiment of
sibling love, the power of that
love, and
its association with the royal
throne.152 The
sister-spouse of Osiris, Isis,
is the throne - that is the
meaning of her name - and it is she who collects the dismembered body of her brother-spouse
and
(at
least partially) restores life to it.153 Incestuous love here, as in other myths and tales of
creation, has a creative, transformative power, and can restore life to the dead. In mainstream
Greek myth, Dionysos
is not primarily associated with
incest, though he does
inspire
sexual
licence
(and can provoke his enemies to doom themselves by acts of forbidden
sexuality)
Orphic myth, however, Dionysos
is both the child of incest and the victim of cannibalism.ss55 He
is the son of Zeus and Zeus's daughter Persephone, and,
like Osiris, he undergoes a
sparagmos
- torn limb from
limb, he is devoured by
the Titans. We have seen how incest and cannibalism
are often associated, and how both are representative of borderline states, of the breach of lim-
its, and the power
that may be brought back by
those who pass beyond
those limits. Both Osiris
and Dionysos are liminal deities who pass
the ultimate boundary of death, and return, bringing
power back with them.156
Incest and
truphe were thus twin pillars of the Ptolemaic royal programme, though whether
all the
symbolic values of both were explicitly understood by
the Ptolemies themselves is
irrecoverable. In any case,
it is certainly not to be
supposed
that the pioneering Ptolemy II ever
tried to downplay
the incestuous marriage
to his sister, any more than he or any of his successors
would have tried to downplay
their display of magnificence.s7e Both incest and truphi would
lose all their
symbolic value if the
spotlight of public attention was not focused on them. Sarah
Pomeroy has queried why Arsinoe Philadelphos would have drawn attention to her own
'highly
questionable' marriage through her patronage of marriage
in the festival of Aphrodite and
Adonis; the answer
surely
is that attention is precisely what she and her brother wanted. Other
scholars too have I think been misguided
in
interpreting royal actions in the
light of an
assumption
that Ptolemy II wanted to mitigate
the
impact of the marriage. Fraser thinks that the
149 Plut. Ant. 26. See Dunand
(1973) 42-3. On Kleopatra
and Antony as Isis and Osiris, see Brenk
(1992).
150 Plut. Ant. 28. Tondriau
(1946) argues
that this
group, typically condemned as mere seekers after sensa-
tion, was in fact a Dionysiac
thiasos
typical of the
Ptolemaic court. In any case, given
the evidently
inebri-
ate
lifestyle, one would hope they really did have inim-
itable livers.
151 Equation of Dionysos and Osiris: Hdt. 2.42; Diod.
1.13; Plut. Mor. 364e-
152
Spells
in Egyptian love-magic evoked the love of
Isis and Osiris; the Trobriand Islanders, who were most
horrified by sibling incest, also ascribed the formula for
love-magic
to a
legendary brother-sister incestuous pair
('the most forbidden is the most potent', Fox
(1980) 38-9).
153 Diod.1.21; Plut. Mor. 357f-358b. See Witt
(1997)
37.
154 Consumption of wine, Dionysos' drink, and the
loss of control associated with it can lead to incestuous
sex: Hyg. Fab. 132; Athen. 444c-d; see Nencini
(1997);
Clarysse (2001). It is worth mentioning
in passing
that
Dionysos
is a first cousin
(several
times removed) of
Oedipus.
155 On the Alexandrian association of Dionysos both
with Osiris and with Orphic elements, see Cerfaux and
Tondriau
(1957) 214; Fraser 1
(1972) 194, 202-7; Rice
(1983) 80-1.
156 See Rudhardt
(1982), who also points
to
Persephone and Adonis as deities who are the offspring
of incest and who have a
special power over death.
Arsino II appears
to have been particularly
instrumental
in
fostering
the cult of Adonis at Alexandria
(Theokritos,
Idyll 15; Cerfaux and Tondriau
(1957) 216). Reed
(2000)
324-34 notes the Ptolemaic
tendency
to assimilate Adonis
and Osiris.
157 The fact that he adopted his children to his sister,
thereby creating
in a sense offspring of the
incest, would
certainly have served to
intensify
the propaganda (I am
grateful
to one of the anonymous JHS referees for draw-
ing my attention to this point). 26 SHEILA L. AGER
epithet 'Philadelphos' would have been intended to 'soften the incestuous nature of the relation-
ship', by emphasizing
fraternal rather than erotic love - and yet
such an epithet inevitably draws
attention to the incest. Hazzard argues
that Arsinoe is absent from Kallixeinos' account of
Philadelphos' pompe
in part because Ptolemy did not want to highlight
the incest - but if he did
not wish to do so, whatever would have prompted him to his marital emulation of Zeus and Hera
in the first place (also Hazzard's argument)? Hauben believes that Philadelphos established a
cult of the royal couple, enhancing
their divine nature, precisely out of a desire to sublimate the
incestuous character of that couple
- but as with the epithet,
such an action
surely accentuates
rather than deflects attention.158 The intense emphasis placed on the
figure of Arsino II from the
time of her marriage
to her brother, and continuing after her death, an emphasis which has always
drawn the attention of scholars,
is no doubt a part of this picture.
Incest and
truphe^
- those proverbial signs of decadence - were thus deliberate aspects of
Ptolemaic propaganda, and were intended to
symbolize
the power of the dynasty, rather than its
degeneracy. But the Ptolemies were walking a fine
line, and in the end their choices backfired.
Truphei and
luxuria, to Greeks and Romans alike, were the mark of the
tyrant. While Ptolemaic
displays of bounty and munificence may have found an appreciative audience among many of
the dynasty's followers, this was a prejudice
that died very hard, and it is the prejudice which
dominates the
literary record. Unrestrained
luxury and unlimited power, bringing with them a
complete (and frequently perverse)
sexual licence, were associated with
tyranny, whether the
unconstitutional rulers of Archaic Greece like Periander or Hippias, or the
legitimate but despotic
Persian king Xerxes.159 The sexual hubris of
tyrants was the negative model of which the
Ptolemies attempted
to provide a positive inversion, with very mixed success.
The writers of antiquity largely adopted
the view of the Roman embassy of Scipio, contemp-
tuous of a
lifestyle
that pursued pleasure and
indulgence beyond all measure and that resulted in
such grotesque and unheroic
figures as poor Ptolemy VIII. Truphei not only enfeebles those
individuals who
indulge
in
it,
it is also disastrous for entire nations composed of such individuals.
Athenaios emphasizes
the anandria and malakia of peoples who abandon themselves to
luxury.160
Polybios was certain that the
long decline of the Ptolemaic empire could be laid at the door of
Ptolemy IV, who neglected
the real business of government and empire
for the sake of his own
'shameful amours and senseless and constant drunkenness'.161
It is among modem historians that we find a more emphatic
focus on the incest
specifically.162
It seems that it is modem
scholars who have shuddered most
(with a kind of horrified glee) at
the sexual escapades of the Ptolemaic dynasty. An ancient author such as Josephus, who
abominated Kleopatra VII,
is more critical of her for being cruel to her little brothers than for
marrying
them.163 For Polybios,
the shamefulness of Ptolemy
IV's sex life
lay
in his activities
outside his sister-wife's bed rather than those within it. Justin, who loved to revel in the sordid,
does not include in the canon of crimes committed by Ptolemy VIII against Kleopatra II
the fact
that he married her. Even the Christian writer Orosius, writing in the fifth century AD, castigates
Ptolemy VIII more for casting his sister aside than for marrying her in the first place.164 This is
158
Pomeroy (1984) 36; Fraser 1
(1972) 217; Hazzard
(2000) 67; Hauben
(1989).
159 Herodotos associates all three with perverse
sexu-
al acts or desires, including
incest
(5.92, 6.107, 9.108); cf.
Polyb. 6.7, and see Holt
(1998); Vernant (2000). On links
between
tyranny, truphd and hubris, see Nenci
(1983)
1028; Passerini
(1934); Tondriau
(1948c); Cozzoli
(1980); and Fisher
(1992) 111-17, 329-42, 350-2.
160
514d-515a
(and
see Book 12 passim).
161
5.34.10 (Paton translation, 1923). Cf Justin 29.1;
30.1; Porphyry, FGrHist 260 F44; Str. 17.1.11.
162 Note the comments of Morriss
(1997) 276-80,
who argues
that contemporary Anglo-American culture is
in fact much less tolerant of the blurring of boundaries
(especially
sexual ones)
than many cultures perceived as
less advanced.
163 Ap. 2.57-8; AJ 15.89; BJ 1.359-60.
164 HAV 5.10.6. No author speaks
ill of the incestu-
ous union of Kleopatra II and Ptolemy VI, no doubt
because it was to all appearances an amicable one, and
was such a contrast to Kleopatra's subsequent marriage. INCEST AND THE PTOLEMAIC DYNASTY 27
not to
say
that we find no negative characterization of Ptolemaic incest in the ancient sources
(Sotades
is the classic example), but such comments are very sparse compared
to the emphasis
laid on incest and its evils by modem writers.
(As
for Sotades, his unfortunate remark may have
been intended more as a bad
joke
than a moral
lecture.)
If the Ptolemaic dynastic model was ultimately a failure, at least in the eyes of posterity,
Imperial Roman efforts to employ
the same model met with little more success. Both Caligula
and Claudius may have attempted
to emulate the Ptolemies in their own unions. Caligula's
alleged
incest with his
sister(s?) has been doubted, but it is possible
that he was
trying
to
present an
Imperial model, at least in the Greek East, that would have met with recognition and
acceptance.165 Claudius' marriage
to his niece Agrippina presents a more unequivocal case of
royal
incest. Indeed,
it may be that,
like Ptolemy II, Claudius deliberately drew attention to the
incestuous nature of the marriage, and may have been
inspired
to do so by
the example of the
Hellenistic dynasty.166 But Claudius was battling
the same prejudices, and in the end faced the
same outcome: rather than
impressing his contemporaries with the unique and
special qualities
of the
Imperial dynasty, he merely convinced posterity of the decadence of
Imperial morals.
CONCLUSION
It has
long been unfashionable for historical
scholarship
to exercise moral
judgements, and we
rarely
find any more such
latter-day Scipionic remarks as Bevan's comment on Ptolemy
IV:
'love of ease, wine, lasciviousness, and
literary dilettantism had swallowed up
in this young
degenerate every natural affection'.167 And yet
the time-honoured
image of a crumbling dynasty
choking on its own excesses, as Magas choked on his own fat, dies very hard indeed. Incest
seems fated to be
inextricably bound up with a continued notion of Ptolemaic decay, moral
degeneracy and collapse, and it is now
inbreeding
that is indicted for compromising Ptolemaic
'vigour', a magic and marvellously vague word both in historiography and in genetics.168
Although
the historical queen Kleopatra VII was an energetic and effective monarch, the
Kleopatra of the Western artistic and
literary imagination has been for centuries endowed with a
languidness characteristic of the best Ptolemaic
truphi and inbred lassitude.169
The tension between
languor and vigour, between activity and passivity
in Ptolemaic history,
is an historiographic topos
that can be traced back to Polybios, who commented on the
(to him)
unfortunate fact that the slothful and
luxury-ridden Ptolemy
IV was too inclined to be peaceful,
and did not follow up his victory at Raphia with an all-out invasion of the realms ofAntiochos III
(5.87). While modern
scholarship has distanced itself considerably
from the male-dominated
and military-oriented world inhabited by Polybios,
there are still echoes of that world and its
viewpoint
in many modem assessments of Ptolemaic history. Military strength
still tends to be
equated with masculine
'vigour', and the
softening and
feminizing qualities of
truphe are held
to be at the heart of the disintegration of the Ptolemaic empire. Whether consciously or not, there
still tends to be a ratification of the Polybian viewpoint that the loss of military dominance and
the rejection of active imperialism is representative of a process of decay.170 The Ptolemies are
165
Caligula, like Ptolemy Auletes, adopted
the title
Neos Dionysos (Athen. 148d), and presented his sister
Drusilla in the east with the
iconography of Demeter,
associated with
fertility and rebirth, a representation
found also among
the Ptolemaic queens (Wood (1995);
cf Green
(1998) 784; Moreau
(2002) 93-6).
166 Green
(1998) 779-80; see also Smith
(1963).
167 Bevan
(1968 [1927]) 221.
168
See, e.g., Whitehorne (1994) 88; Scheidel
(1996a)
16-17; cf Mahaffy (1895) 307; Macurdy (1932) 222.
169 See for example Theophile Gauthier's 1838 novel-
la, Une nuit de Cldopdtre,
in which his heroine exhausts
herself walking
from the bedroom to the bathroom.
170 Hazzard's comment
((2000) 156) on the Ptolemaic
kingdom ('it started as a military monarchy headed by a
king and ended as a civilian monarchy headed by a queen')
is a more up-to-date version of
(but one that still resonates
with) Kornemann's conclusion in 1923, that the Ptolemaic
family,
'which had come from
strong masculine
Macedonian roots, fell to the force of feminism'. 28 SHEILA L. AGER
still seen as somehow
'decadent', only now it is the science of genetics
that explains their
rottenness.171 Incest has led to
inbreeding, which has led in turn to degeneracy and loss of vigour.
But it is the argument of this article that we cannot use the new morality of science any more
than we could use the old morality of Victorian prudery
to seek a solution to the
thorny problems
of the Ptolemaic dynasty
in the wormy heart of incest.
SHEILA L. AGER
University of Waterloo